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The following article was published in our article directory on April 5, 2013.
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Johnny Smith - Thought To Be The Best Jazz Guitar Virtuoso Of All Time - Part 1

Article Category: Entertainment

Author Name: Steven Herron

Johnny Smith is among the most exceptional guitar players to come to notability after Charlie Christian and Django Reinhardt made their marks on the jazz guitar music scenario. Similarly at home with a jazz combo or a studio band, as a bandleader or an unaccompanied soloist, in a duet along with a singer or a pop music recording session, he is one of a small handful of jazz artists whose recordings garnered fantastic public recognition at the very beginning of his professional career. Following his initial breakthrough, Johnny Smith rose in importance to turn into one of the world's most visible and admired jazz guitarists with a series of definitive albums on the Royal Rooster label. By the time he went into semi-retirement in 1957 and relocated to Colorado, Johnny Smith had actually obtained legendary standing as a jazz music guitarist!

Aside from getting the accolades of the jazz world, Johnny Smith's 1952 hit record of "Moonlight in Vermont" with Stan Getz went on to become one of the largest selling instrumental singles of all time. Johnny Smith is the author of yet another popular instrumental "Walk, Don't Run," which has actually come to be a rock guitar garage band standard and component of musical Americana. Taped by Johnny Smith in its original form in 1954, the fascinating, classically tinged jazz piece was ultimately recorded by his buddy Chet Atkins and was eventually made in to a mega-hit by The Ventures. Such is the transcendent musicianship of the man and the magnitude of his influence.

For lots of guitar players, Johnny Smith is the personification of the "cool jazz" scene. His understated virtuosity, cool-toned guitar sound, and individualistic albums like the experimental "Flower Drum Song" (which blended a cello along with a jazz music 3 piece group) and The New Johnny Smith Quartet furthered this impression. Taken in the completeness of his work these unusual settings show Johnny to be an eclectic musician who just defies classification within the rigid structures of jazz music.

To hear Johnny Smith say it, he doesn't belong in the annals of jazz music guitar. All the same, this self-effacing expert is just one of the most cherished players in the genre. Simply ask modern-day jazz music guitar virtuosos John Scofield, Larry Carlton, John McLaughlin, George Benson, Larry Coryell, Jimmy Bruno, or Pat Martino. These players and lots of others hold Johnny Smith up as a defining role model in jazz guitar, yet the maestro himself isn't really so certain. He keeps the "jazz guitarist label" for pickers like Joe Pass, Wes Montgomery, and Tal Farlow and considers his own guitar playing to be something different and divergent. The semantics battles notwithstanding, the name Johnny Smith is associated with guitar superiority. For years, he has actually been revered by legions of smart artists for his precision methodology, progressive harmonic sense, and the sheer appeal of his guitar tone.

The eclectic Johnny Smith approach is based upon the vivid mosaic of his diverse music interests. He has actually cited Spanish classic guitarist Andres Segovia and French Gypsy jazz guitar innovator Django Reinhardt as his main influences. A self-taught musician, Johnny Smith established his formidable methodology as a young boy playing along with The Chesterfield Supper Club Band on the radio. A variable in his background is the early hillbilly country music he learned to play as a performing member of The Fenton Brothers-- his first professional band in 1939.

Keywords: johnny smith, jazz guitar books, jazz guitar instruction, jazz guitar tab books, jazz guitar dvds,

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